Rivers drops the wall & reveals her vulnerability, desperation & fragility in this moving documentary. 4/5
Joan Rivers: A Piece of Work on Netflix
Short reviews of content rented or streamed from Netflix, mostly formatted for 140 characters.
Friday, December 31, 2010
Joan Rivers: A Piece of Work
The Good, the Bad, the Weird
Tweet 1 - Korean homage to Leone's epic that manages to remix spaghetti, classic westerns and wuxia.
Tweet 2 - Odd to see story cues from Ugly translated to early 20th cen. Manchuria but it was all there. 3.5 stars
Follow-up - I was oddly glad that amongst all the crazy flying around and bad guys that can't hit the broad side of a barn with 6,000 bullets, the movie did not amp up the sound of the gunshots. Handguns made a small pop, as they do, and only the shotgun had a deep boom. It grounded the madness somehow, and was just the thing this crazy movie needed to help you accept what you were seeing.
Now what amuses me is that Donna slagged Leone's Fistful, but she praised this thin-as-tissue-paper script which gave almost nothing in the way of character whatsoever. It's essentially one giant kick-ass set piece with massive, complex running gunfights from start to finish.
STOP HATING ON EASTWOOD, DONNA! It's tainting your view of an entire pantheon of classic cinema!
DONNA RESPONDS: Hey, now! It is entirely true that I don't dig on Eastwood as an actor. Never have and I doubt I ever will. However, that wasn't even close to my biggest problem with "Fistful" and you know it. I actually liked Eastwood far more in "Fistful" than I have anywhere save maybe Gran "Torino". I think you were dead right in saying it's a genre clash - I just don't seem to get westerns. "The Good, The Bad, The Weird" was only half a western, and it was the half that *wasn't* a western I liked the best. I found more character development in this film done subtly and with that textbook Asian nuance I adore than I did in "Fistful". If we were to believe this movie took place in "the real world" I would be crying about logic flaws, but this wasn't really "the real world", and it never violated it's own rules. I can't say the same about "Fistful". And, quite honestly, I thought the direction of "The Weird" outclassed Leone in "Fistful". So shoot me, but it did in my oh-so-humble opinion.
Okay, I'll get out of your post now. ;)
The Good, The Bad and The Weird at Netflix
Tweet 2 - Odd to see story cues from Ugly translated to early 20th cen. Manchuria but it was all there. 3.5 stars
Follow-up - I was oddly glad that amongst all the crazy flying around and bad guys that can't hit the broad side of a barn with 6,000 bullets, the movie did not amp up the sound of the gunshots. Handguns made a small pop, as they do, and only the shotgun had a deep boom. It grounded the madness somehow, and was just the thing this crazy movie needed to help you accept what you were seeing.
Now what amuses me is that Donna slagged Leone's Fistful, but she praised this thin-as-tissue-paper script which gave almost nothing in the way of character whatsoever. It's essentially one giant kick-ass set piece with massive, complex running gunfights from start to finish.
STOP HATING ON EASTWOOD, DONNA! It's tainting your view of an entire pantheon of classic cinema!
DONNA RESPONDS: Hey, now! It is entirely true that I don't dig on Eastwood as an actor. Never have and I doubt I ever will. However, that wasn't even close to my biggest problem with "Fistful" and you know it. I actually liked Eastwood far more in "Fistful" than I have anywhere save maybe Gran "Torino". I think you were dead right in saying it's a genre clash - I just don't seem to get westerns. "The Good, The Bad, The Weird" was only half a western, and it was the half that *wasn't* a western I liked the best. I found more character development in this film done subtly and with that textbook Asian nuance I adore than I did in "Fistful". If we were to believe this movie took place in "the real world" I would be crying about logic flaws, but this wasn't really "the real world", and it never violated it's own rules. I can't say the same about "Fistful". And, quite honestly, I thought the direction of "The Weird" outclassed Leone in "Fistful". So shoot me, but it did in my oh-so-humble opinion.
Okay, I'll get out of your post now. ;)
The Good, The Bad and The Weird at Netflix
Thursday, December 30, 2010
Exam
A familiar story told in an original(ish) kind of way - Cube meets Nine but with style. I liked it & didn't guess it. 3.5/5
Exam on Netflix
Exam on Netflix
Wednesday, December 29, 2010
A Fistful of Dollars
Sorry Jim, but this did nothing for me. Plot? Character? Motivation? Sorry, not in this film. Seriously, there were plot-holes I could drive a truck through & it wasn't nearly pretty enough to forgive all the weaknesses. 2/5
ADDED: Okay, to break this down a little more. I wanted to know something about The Stranger. I found out next to nothing. I wanted to understand the two sides of the battle. I found out next to nothing. I wanted to know what drove the characters. Naw, not that either. REALLY thin on the motivation front, which for me is always important in a film, and that was my biggest disappointment. The logic flaws really killed me. How did The Stranger know the shortcut back from The Small House when the Rohos didn't? If your enemy family was THAT easy to kill off, why hadn't they done it already, especially since not a one of the Rohos had any sort of conscience? If shooting a guy in the heart seven times isn't killing him - AND he's taunting you about it - why not try the head? I mean come on! And I'm sorry, I really did try, but the bad over-dubbing really got to me, as did Eastwood's acting. I've never been a fan of Clint's acting and I'm still not. I can't really explain it but he just rubs me the wrong way. This, sadly, was no exception.
Was it pretty? Sure. But I've seen so many better shot movies that it simply doesn't make up for everything I found lacking. Hell, I saw at least two films in the last two weeks that were shot FAR better than this was. I'm hoping that I'll have a better reaction to the next in the series but honestly I'm not holding my breath.
Oh, and Jim, for the record, I was right about the visual similarities to Herzog - they definitely shared a vision. Leone loved his deserts and Herzog adored his water. But, for my money, this was on par with Herzog's weaker works and Eastwood was never and will never be a Kinski. I'd put this up against Herzog's "Cobra Verde", which is IMO the weakest of his Kinski collaborations. Both Herzog and Kinski were well off their game and it showed, so while it was beautiful it suffered from the same logic and character flaws this film did. So, in your opinion, if this is Leone's "Cobra Verde", what's his "Fitzcarraldo"? Where does Leone shine the most and have his best collaborative work? That I'll be curious to see.
A Fistful of Dollars on Netflix
ADDED: Okay, to break this down a little more. I wanted to know something about The Stranger. I found out next to nothing. I wanted to understand the two sides of the battle. I found out next to nothing. I wanted to know what drove the characters. Naw, not that either. REALLY thin on the motivation front, which for me is always important in a film, and that was my biggest disappointment. The logic flaws really killed me. How did The Stranger know the shortcut back from The Small House when the Rohos didn't? If your enemy family was THAT easy to kill off, why hadn't they done it already, especially since not a one of the Rohos had any sort of conscience? If shooting a guy in the heart seven times isn't killing him - AND he's taunting you about it - why not try the head? I mean come on! And I'm sorry, I really did try, but the bad over-dubbing really got to me, as did Eastwood's acting. I've never been a fan of Clint's acting and I'm still not. I can't really explain it but he just rubs me the wrong way. This, sadly, was no exception.
Was it pretty? Sure. But I've seen so many better shot movies that it simply doesn't make up for everything I found lacking. Hell, I saw at least two films in the last two weeks that were shot FAR better than this was. I'm hoping that I'll have a better reaction to the next in the series but honestly I'm not holding my breath.
Oh, and Jim, for the record, I was right about the visual similarities to Herzog - they definitely shared a vision. Leone loved his deserts and Herzog adored his water. But, for my money, this was on par with Herzog's weaker works and Eastwood was never and will never be a Kinski. I'd put this up against Herzog's "Cobra Verde", which is IMO the weakest of his Kinski collaborations. Both Herzog and Kinski were well off their game and it showed, so while it was beautiful it suffered from the same logic and character flaws this film did. So, in your opinion, if this is Leone's "Cobra Verde", what's his "Fitzcarraldo"? Where does Leone shine the most and have his best collaborative work? That I'll be curious to see.
A Fistful of Dollars on Netflix
Labels:
action,
classic,
clint eastwood,
drama,
ftrq,
gritty,
netflix,
sergio leone,
spaghetti western,
violent
Tuesday, December 28, 2010
Vengeance
Johnnie To's masterpiece is a perfect blend of epic Asian & classic western. Brilliantly shot & acted - perfection. It's VERY rare for me to say I wouldn't change a single frame of a film. I am saying that now. This is just genius. 5/5
ADDED: Seriously... this is amazing. Maybe it's the Asia-phile in me, but the east-meets-west sensibility of To's direction was so damn perfect. Johnny Hallyday was absolutely amazing in the lead role, and at his age it's so rare to see this type of performance. I seriously want to round up the cast and crew of "The Expendables" and force them to watch this on repeat for a couple of days. Hey, Stallone! THIS is how you do an older man's revenge story, you jackass. RENT THIS!
Vengeance on Netflix
ADDED: Seriously... this is amazing. Maybe it's the Asia-phile in me, but the east-meets-west sensibility of To's direction was so damn perfect. Johnny Hallyday was absolutely amazing in the lead role, and at his age it's so rare to see this type of performance. I seriously want to round up the cast and crew of "The Expendables" and force them to watch this on repeat for a couple of days. Hey, Stallone! THIS is how you do an older man's revenge story, you jackass. RENT THIS!
Vengeance on Netflix
Labels:
action thriller,
exciting,
foreign,
french,
ftrq,
hong kong,
johnnie to,
johnny hallyday,
netflix,
violent
Monday, December 27, 2010
That Evening Sun
Hal Holbrook is just phenomenal in this rich, character-driven Southern Gothic gem. Simply stunning. I would have rented this sooner had I known Walton Goggins co-starred and co-produced this. I am so struck by Holbrook's performance - very intense yet understated. A real gem, very atmospheric. 4.5/5
That Evening Sun on Netflix
That Evening Sun on Netflix
Sunday, December 26, 2010
Holly
This is a truly devastating film about child prostitution made all the more horrible since it was largely a documentary. 4/5
Holly on Netflix
Holly on Netflix
Saturday, December 25, 2010
High Plains Drifter
From the "There are no good guys" school of film, a shoot-y, rape-y tale of (angelic? demonic?) revenge. 4 stars.
Follow-up - When I say shoot-y & rape-y, I mean the Stranger rides into town, finds a bar and buys a beer. Less than three minutes later he shoots three men, grabs a woman, drags her into a barn and rapes her to teach her some manners. And hes the hero. Jesus allegorical Christ this movie ain't easy to like. But that's not the point, liking it or liking the Stranger. The point is don't let corruption and greed lead you to sell your soul, or someday someone might use that very thing to destroy you and everyone with whom you collude.
High Plains Drifter at Netflix
Follow-up - When I say shoot-y & rape-y, I mean the Stranger rides into town, finds a bar and buys a beer. Less than three minutes later he shoots three men, grabs a woman, drags her into a barn and rapes her to teach her some manners. And hes the hero. Jesus allegorical Christ this movie ain't easy to like. But that's not the point, liking it or liking the Stranger. The point is don't let corruption and greed lead you to sell your soul, or someday someone might use that very thing to destroy you and everyone with whom you collude.
High Plains Drifter at Netflix
Elf
This really is a cute & funny movie and Will Ferrell is his usual wonderful self. @Jon_Favreau did himself proud. 3.5/5
Elf on Netflix
Elf on Netflix
Labels:
comedy,
ftrq,
goofy,
jon favreau,
netflix,
quirky,
sentimental,
will ferrell
Friday, December 24, 2010
The Hit
A young Stephen Frears took a shaky script & made it shine with excellent casting, acting & direction. Well done. 3.5/5
The Hit on Netflix
The Hit on Netflix
Labels:
british,
crime,
dark,
drama,
foreign,
ftrq,
john hurt,
netflix,
quirky,
stephen frears,
suspenseful,
terrance stamp,
Tim Roth
Thursday, December 23, 2010
Step Up 3
The story is atrocious, but the dancing is awesome. A step down from the previous two, but okay I guess. 3/5
Step Up 3 on Netflix
Step Up 3 on Netflix
Wednesday, December 22, 2010
The Good, The Bad, The Weird
This awesomely epic Asian western is comedic and still action-packed. Very stylish & cool - it's "Desperado" meets Raimi's "The Quick & The Dead" meets "Crouching Tiger, Hidden Dragon". Very awesome. 4.5/5
The Good, The Bad, The Weird on Netflix
The Good, The Bad, The Weird on Netflix
Labels:
action/adventure,
comedy,
epic,
exciting,
foreign,
ftrq,
korean,
netflix,
spaghetti western
Scott Pilgrim vs. The World
(Written in 5 tweets)
Scott Pilgrim vs. The World at Netflix
- This is gonna take more than 140 characters. 1st off, it helps if your hero is likable.
- Scott is, at best, a morally ambiguous self-absorbed douche fighting for someone who isn't worth it.
- Visually it was cool, and did the source material proud. Fun movie, but...
- It's mostly a big fat excuse for treating people like shit and acting like that's heroic.
- 2 stars for the story, 4 stars for fun action-y comic-bookish direction & effects.
Scott Pilgrim vs. The World at Netflix
Tuesday, December 21, 2010
12 Angry Men
WOW! Peter Fonda was awe-inspiring in Lumet's classic. This movie was sheer perfection from start to finish. Just... wow. 5/5
12 Angry Men on Netflix
12 Angry Men on Netflix
Labels:
classic,
courtroom,
drama,
ftrq,
gritty,
inspiring,
netflix,
peter fonda,
sidney lumet
Once Upon a Time in the West
In-Progress tweet: The mustaches in Once Upon A Time In The West are...well, spectacular. HELLO I AM BAD YOU CAN TELL BY THE CAT ON MY FACE.
Actual FTRQ Review: EPIC visual masterpiece. Could've been edited a bit. Bad men do good things for a woman. 4 stars
Follow-up: Leone, man. Leone. No one has EVER used the vastness of deserts to better effect. Ever. Every frame is a painting, every moment a composition. Today if a directors can do that, they fail at capturing people. Leone did that well too. Camera right in the face of an ugly, dirty, grubby desperado, perfectly framed with some massive, overwhelming landscape behind him. Close in on the eyes of a woman when she sees her man dead on a table. A lone figure riding out of a cloud of dust. Intimate shots of a steam engine but not the traditional wheel/piston shot. Everything was a character, from the cards on the table to the pipes that dripped water. The man knew how things should look, I tell you what.
His fatal flaw is that sometimes, when perfecting a still moment, or using time to build tension, he'd let it get away from him. If that happens once or twice, you only have an extra minute or two in your movie. 20 times and you have much, much more. Do not watch this as your first Leone movie. Work up to it. But it'll be worth it. It's deliberate, carefully paced and only occasionally does it "feel long."
Bone to pick: Not really a spaghetti western. It's really just a western.
Wish it was on Blu-ray. Still beautiful. Leone's work is like painting with moving pictures, I swear.
Once Upon a Time in the West at Netflix
Actual FTRQ Review: EPIC visual masterpiece. Could've been edited a bit. Bad men do good things for a woman. 4 stars
Follow-up: Leone, man. Leone. No one has EVER used the vastness of deserts to better effect. Ever. Every frame is a painting, every moment a composition. Today if a directors can do that, they fail at capturing people. Leone did that well too. Camera right in the face of an ugly, dirty, grubby desperado, perfectly framed with some massive, overwhelming landscape behind him. Close in on the eyes of a woman when she sees her man dead on a table. A lone figure riding out of a cloud of dust. Intimate shots of a steam engine but not the traditional wheel/piston shot. Everything was a character, from the cards on the table to the pipes that dripped water. The man knew how things should look, I tell you what.
His fatal flaw is that sometimes, when perfecting a still moment, or using time to build tension, he'd let it get away from him. If that happens once or twice, you only have an extra minute or two in your movie. 20 times and you have much, much more. Do not watch this as your first Leone movie. Work up to it. But it'll be worth it. It's deliberate, carefully paced and only occasionally does it "feel long."
Bone to pick: Not really a spaghetti western. It's really just a western.
Wish it was on Blu-ray. Still beautiful. Leone's work is like painting with moving pictures, I swear.
Once Upon a Time in the West at Netflix
Monday, December 20, 2010
Mother
I normally like Albert Brooks, but I found this insipid, boring, & utterly saccharine. The writing was just bad - meh. 2/5
Mother on Netflix
Mother on Netflix
Sunday, December 19, 2010
Micmacs
This film is just a visual masterpiece, beautifully shot & comically written. Very quirky - I enjoyed it a lot. 4/5
Micmacs on Netflix
Micmacs on Netflix
Labels:
comedy,
foreign,
french,
ftrq,
mind-bending,
netflix,
quirky,
visually stunning
Saturday, December 18, 2010
Mother And Child
This thought-provoking & tragic drama has exemplary acting, direction & writing. Truly moving & heartfelt. 4/5
Mother And Child on Netflix
Mother And Child on Netflix
Labels:
annette benning,
cerebral,
drama,
emotional,
ftrq,
heartfelt,
jimmy smits,
naomi watts,
netflix,
romantic,
tragic
Friday, December 17, 2010
The Art of the Steal
A entrancing documentary about art that feels just like a suspense-thriller. Astonishing & mind-blowing. 5/5
The Art of the Steal on Netflix
The Art of the Steal on Netflix
Labels:
biographical,
documentary,
ftrq,
heartfelt,
netflix,
suspenseful
Thursday, December 16, 2010
The Cry of the Owl
A completely nonsensical thriller that tried to be twisty & complicated but just ended up boring me. Bah. 2/5
The Cry of the Owl on Netflix
The Cry of the Owl on Netflix
Wednesday, December 15, 2010
The Kids Are All Right
Hey, world? Infidelity isn't funny. Should've ditched the rom-com and went straight drama. This could have been amazing, but as is it was just average. 3/5
Labels:
annette benning,
emotional,
ftrq,
julianne moore,
mark ruffalo,
netflix,
rom-com,
romantic,
witty
The Great Silence
Life sucks. It's cold. Bad guys win. Kinski chews scenery. Not bad for a spaghetti western. 3.5 stars.
Follow-up - Leone did it all better. Just sayin'.
The Great Silence at Netflix
Follow-up - Leone did it all better. Just sayin'.
The Great Silence at Netflix
Tuesday, December 14, 2010
The Station Agent
If you like sleepy indie movies then this quirky but heartfelt dramedy is for you. Very charming. 3.5/5
The Station Agent on Netflix
The Station Agent on Netflix
Monday, December 13, 2010
The Damned United
The always brilliant Michael Sheen is perfection in this portrait of Brain Clough. Mesmerizing film. 4/5
The Damned United on Netflix
The Damned United on Netflix
Labels:
colm meaney,
ftrq,
inspiring,
jim broadbent,
michael cheen,
netflix,
sports,
timothy spall
Sunday, December 12, 2010
Mary and Max
This amazing claymation is as dark & tragic as it is heartfelt & poignant. Brilliantly done all around. 4.5/5
Mary and Max on Netflix
Mary and Max on Netflix
Labels:
animation,
cerebral,
dark,
emotional,
ftrq,
heartfelt,
mind-bending,
netflix,
phillip seymour hoffman,
quirky,
toni collette
Saturday, December 11, 2010
Made In Britain
Tim Roth is electrifying & stunning in this brilliant film about troubled British youths. Mesmerizing. 4/5
Made In Britain on Netflix
Made In Britain on Netflix
Friday, December 10, 2010
Insomnia
For a Nolan film this was weak for me - big plot holes, iffy writing, some shoddy acting. I expect better from them. 3/5
Insomnia on Netflix
Insomnia on Netflix
Labels:
al pacino,
christopher nolan,
crime,
dark,
drama,
ftrq,
hillary swank,
netflix,
robin williams,
suspenseful,
thriller,
understated
Centurion
Perfectly decent Romans vs. Picts battle movie, but it lacked proper handling of the epic Northern UK landscapes. 3 stars
Follow-up - Donna liked it more than me. I think I took a star away because I've seen so many Leone movies lately, and that man knows how to work the land into his story. This film had that opportunity, but just missed it often. Also overused the sweeping helicopter shot, I thought.
Centurion at Netflix
Follow-up - Donna liked it more than me. I think I took a star away because I've seen so many Leone movies lately, and that man knows how to work the land into his story. This film had that opportunity, but just missed it often. Also overused the sweeping helicopter shot, I thought.
Centurion at Netflix
Thursday, December 9, 2010
The Exploding Girl
This poignant indie drama will tug at your heartstrings. A bit slow but honest, tender & very sweet. 3.5/5
The Exploding Girl on Netflix
The Exploding Girl on Netflix
Wednesday, December 8, 2010
Shall We Dance?
This Japanese original is less witty than the American remake but more charming, honest & lovely. Well done. 4/5
Shall We Dance? at Netflix
Shall We Dance? at Netflix
For a Few Dollars More
Maybe a better film, albeit less ambitious, than Good/Bad/Ugly. Tense. Wish this one was restored too. 4 stars.
Follow-up - I saw this trilogy in pieces on TV years ago, and now recently, but out of sequence. In a way I wish I had seen "Few Dollars" before Good/Bad/Ugly. It would have made Angel Eyes even more...sadistic? Bad? More...something. Anyway...Leone had an eye that comes only once in a generation or three, and if you hate his editing and his love of cheesy bit players and his obsession with faces...watch his movies anyway, you won't find a better example of slow, deliberate direction done well. And such majestic scenery, used to frame and in some cases tell the story. Good stuff. Rent 'em all.
For a Few Dollars More at Netflix - All Sergio Leone movies at Netflix
Follow-up - I saw this trilogy in pieces on TV years ago, and now recently, but out of sequence. In a way I wish I had seen "Few Dollars" before Good/Bad/Ugly. It would have made Angel Eyes even more...sadistic? Bad? More...something. Anyway...Leone had an eye that comes only once in a generation or three, and if you hate his editing and his love of cheesy bit players and his obsession with faces...watch his movies anyway, you won't find a better example of slow, deliberate direction done well. And such majestic scenery, used to frame and in some cases tell the story. Good stuff. Rent 'em all.
For a Few Dollars More at Netflix - All Sergio Leone movies at Netflix
Tuesday, December 7, 2010
A State of Mind
A fascinating & terrifying look at North Korea's Mass Games & 2 young female gymnasts who performed in 2003. Both scary and beautiful. 4.5/5
A State of Mind on Netflix
A State of Mind on Netflix
Labels:
british,
cerebral,
documentary,
foreign,
ftrq,
netflix,
north korea,
political
Monday, December 6, 2010
Dark City (Director's Cut)
You are what you remember, but also what you decide to be. Some rough acting, but still an amazing film. 4 stars.
The Hangover
Um, no. I don't get the appeal of this movie or of Zack G. This was just pointless & stupid & nonsensical. 2/5
The Hangover on Netflix
The Hangover on Netflix
Labels:
bradley cooper,
comedy,
ed helms,
ftrq,
goofy,
heather graham,
ken jeong,
netflix,
raunchy,
zach galifianakis
Sunday, December 5, 2010
The Twilight Saga: Eclipse
What kind of idiot chooses Edward after all that? Team Jacob, y0. Still pretty average for my taste 3/5
The Twilight Saga: Eclipse on Netflix
The Twilight Saga: Eclipse on Netflix
Labels:
drama,
ftrq,
kristen stewart,
netflix,
robert pattinson,
romantic,
vampires
Saturday, December 4, 2010
This Film Is Not Yet Rated
Kirby Dick is my new hero with this film that exposes Hollywood's corrupt ratings board. 5/5
This Film Is Not Yet Rated on Netflix
This Film Is Not Yet Rated on Netflix
Friday, December 3, 2010
Red Riding Trilogy: Part Three: 1983
A brilliant end to a brilliant trilogy. Masterfully scripted with all the ends tied up. Truly amazing work. 4.5/5
Red Riding Trilogy: Part Three: 1983 on Netflix
Red Riding Trilogy: Part Three: 1983 on Netflix
Labels:
british,
dark,
drama,
foreign,
ftrq,
gritty,
made-for-television,
netflix,
non-linear,
suspenseful
Thursday, December 2, 2010
Buffy the Vampire Slayer Season 1 - Welcome to the Hellmouth
DUDE. It's Buffy. Of course it was awesome. What are you, new? 5 stars.
Buffy the Vampire Slayer Season 1 at Netflix
Buffy the Vampire Slayer Season 1 at Netflix
Labels:
alyson hannigan,
anthony head,
buffy,
charisma carpenter,
david boreanaz,
ftrq,
james marsters,
joss whedon,
marc blucas,
netflix,
sarah michelle gellar,
seth green,
streaming,
television,
vampires
The Expendables
Insultingly bad. I've literally never heard such poorly written dialogue in a professional movie w/a budget. 2 stars
Follow-up: The only reasons it gets two stars are:
The Expendables at Netflix
Follow-up: The only reasons it gets two stars are:
- There were some epic action sequences
- The cinematography was nice
- Jason Statham was, well, Statham-y.
- Mickey Rourke had a nice emotive scene
The Expendables at Netflix
Labels:
action thriller,
action/adventure,
charisma carpenter,
dolph lundgren,
eric roberts,
expendables,
ftrq,
jason statham,
jet li,
netflix,
randy couture,
steve austin,
sylvester stallone
Dark City: Director's Cut
I forgot how much I loved this film, but I guess it's been too long - couldn't spot the changes. It is a gorgeous film, though, just gorgeous. 4/5
Dark City: Director's Cut on Netflix
Dark City: Director's Cut on Netflix
Labels:
alex proyas,
cerebral,
dark,
drama,
fantasy,
ftrq,
jennifer connelly,
kiefer sutherland,
mind-bending,
mystery,
netflix,
rufus sewell,
scary,
science fiction
Revolver
Holy shit, someone paid a lot of money for Guy Ritchie's marriage therapy session. Some cool stuff, mostly a mess. 2.5 stars.
Follow-up: I keep saying that Guy Ritchie should not be allowed to write. It's true. He should only ever be allowed to direct other people's stories. He just tries so hard, but makes such a muddled mess of things, and for some reason people keep giving him money to write. STOP DOING THAT. Just let him lay his visual style on your existing script, and when he says "No, I want to write it" tell him that he's perceiving the idea of not writing the film as a threat to his ego, and that if he doesn't understand that, watch Revolver a couple more times. Also tell him that David Lynch might have a bone to pick with him....
Revolver at Netflix
Follow-up: I keep saying that Guy Ritchie should not be allowed to write. It's true. He should only ever be allowed to direct other people's stories. He just tries so hard, but makes such a muddled mess of things, and for some reason people keep giving him money to write. STOP DOING THAT. Just let him lay his visual style on your existing script, and when he says "No, I want to write it" tell him that he's perceiving the idea of not writing the film as a threat to his ego, and that if he doesn't understand that, watch Revolver a couple more times. Also tell him that David Lynch might have a bone to pick with him....
Revolver at Netflix
Wednesday, December 1, 2010
Valhalla Rising
This is GORGEOUS - perhaps the most visually arresting movie I've ever seen. Lush, bloody & brilliant with perfect atmospheric music. 4/5
Vahalla Rising at Netflix
Vahalla Rising at Netflix
Labels:
action/adventure,
danish,
dark,
foreign,
ftrq,
grizzly,
netflix,
violent,
visually stunning
Tuesday, November 30, 2010
Vexille
OK idea, big plot holes, beautiful background animation but the characters looked awful. Uncanny valley on display. 2 stars.
Vexille at Netflix
Vexille at Netflix
Red Riding Trilogy: Part Two: 1980
The second installment of the Red Riding trilogy ups the game with lush direction and a tight script. Can't wait to see the end! 4/5
Red Riding Triology: Part 2: 1980 at Netflix
Red Riding Triology: Part 2: 1980 at Netflix
Labels:
british,
cerebral,
dark,
drama,
foreign,
ftrq,
made-for-television,
netflix,
red riding trilogy,
visually stunning
Monday, November 29, 2010
Love & Distrust
Horrible. Just horrible. Pretentious, pointless, and amateur hour all the way around. Don't even bother. 1/5
Love & Distrust on Netflix
Love & Distrust on Netflix
Labels:
amy adams,
ftrq,
indie,
netflix,
robert downey jr,
robert pattinson,
romance
Sunday, November 28, 2010
Batman:Under The Red Hood
Good. Dark. Tragic, with that Sisyphean flavor that all the good Bat stories have. 4.5 stars.
Batman: Under The Red Hood at Netflix
Batman: Under The Red Hood at Netflix
I'm Still Here
DUDE. I was still questioning what was real until I saw the extras. Joaquim is a fucking genius. Seriously. And the people involved? WOW. That was ambitious shit. Casey Affleck has ALL the talent. WOW 4.5/5
I'm Still Here at Netflix
I'm Still Here at Netflix
Labels:
casey affleck,
dark,
ftrq,
indie,
joaquim phoenix,
mockumentary,
netflix,
quirky,
spoof
Predators
You know what? Just as good as '87 Predator. I actually bought Brody as an action guy. 4 stars. It were fun times.
Predators at Netflix
Predators at Netflix
Saturday, November 27, 2010
Red Riding Trilogy: Part One: 1974
This visually stunning & gripping opener to the Red Riding trilogy is arresting with an end I didn't predict. 4/5
Red Riding Trilogy: Part One: 1974 on Netflix
Red Riding Trilogy: Part One: 1974 on Netflix
Labels:
british,
cerebral,
dark,
drama,
foreign,
ftrq,
gritty,
made-for-television,
netflix,
non-linear,
visually stunning
Friday, November 26, 2010
My Name is Bill W.
This biopic drama about the founder of AA isn't well acted despite the big names. It felt really hollow to me. 2/5
My Name Is Bill W. on Netflix
My Name Is Bill W. on Netflix
Labels:
biopic,
drama,
feel-good,
ftrq,
gary sinise,
james woods,
netflix,
sentimental
Thursday, November 25, 2010
Henry: Portrait of a Serial Killer
"Henry: Portrait of a Serial Killer" - I can't imagine how this movie was ever scary & thrilling - to me it's just cheestastic. Honestly, this was bad. "Man Bites Dog" is SUCH a vast improvement on a theme. Don't waste your time with this. 1/5
Henry: Portrait of a Serial Killer on Netflix
Henry: Portrait of a Serial Killer on Netflix
Wednesday, November 24, 2010
Ju Dou
A heartbreaking & poignant romantic tragedy as only the Chinese can do it. Tragic story with excellent acting. 3.5/5
Ju Dou on Netflix
Ju Dou on Netflix
A Fistful of Dollars
Leone had 200k to make this (like 1.4mil today) Solid "gunfighter comes to town and cleans up" story. 3.5 stars. How does Clint Eastwood look tough wearing a Mexican rug? Not even Chuck Norris could pull that off.
A Fistful of Dollars at Netflix
A Fistful of Dollars at Netflix
Tuesday, November 23, 2010
My Blueberry Nights
Wong Kar Wai brings his signature touch to this lush and poignant indie drama with an all-star cast. Lovely. 4/5
My Blueberry Nights on Netflix
My Blueberry Nights on Netflix
Labels:
cerebral,
david straithairn,
emotional,
ftrq,
indie,
jude law,
natalie portman,
netflix,
norah jones,
rachel weisz,
romance,
wong kar wai
Monday, November 22, 2010
Perrier's Bounty
The entire cast, especially Cillian Murphy, are amazing in this darkly comedic crime thriller. Brilliantly done all the way around. 4/5
Perrier's Bounty on Netflix
Perrier's Bounty on Netflix
Labels:
action thriller,
brendon gleeson,
cillian murphy,
crime,
foreign,
ftrq,
gritty,
indie,
james broadbent,
netflix,
quirky
Sunday, November 21, 2010
The Extra Man
Kevin Kline is magical in this but, aside from his wondrous performance, it falls flat both plot and character-wise. 3/5
The Extra Man on Netflix
The Extra Man on Netflix
Day of the Dead (2008)
This is about the remake from 2008. Fucking horrible. Just frigging terrible. Nothing makes any sense and the writing is AWFUL. Can you give negative stars? Negative five stars.
Day of the Dead 2008 at Netflix
Day of the Dead 2008 at Netflix
Saturday, November 20, 2010
Dear John
I keep waiting for another Sparks movie to be half as good as "The Notebook". I'm still waiting. Weak sauce. 2.5/5
Dear John on Netflix
Dear John on Netflix
Labels:
amanda seyfreid,
drama,
emotional,
ftrq,
lasse hallstrom,
military and war,
netflix,
romance
Friday, November 19, 2010
A Quiet Little Marriage
A surprisingly honest portrayal of marriage with a little deceit on the side. Great acting, lovely. 4/5
A Quiet Little Marriage on Netflix
A Quiet Little Marriage on Netflix
The Good, The Bad And The Ugly
Incredible visuals. Leone could tell a story. 4.5 stars. Watch the extras! (This pertains to the reconstructed/restored version on Blu-ray. Worth buying!)
The Good, The Bad And The Ugly at Netflix
The Good, The Bad And The Ugly at Netflix
Thursday, November 18, 2010
The Last Airbender
This is gorgeous but completely hollow. I can see there was a great story here - such a shame. 2/5
The Last Airbender on Netflix
The Last Airbender on Netflix
Labels:
fantasy,
ftrq,
m. night Shyamalan,
netflix,
science fiction
Wednesday, November 17, 2010
Deceiver
Wholly impractical, ridiculous, badly edited & directed, just ludicrous in so many ways. Bah. 2/5
Deceiver on Netflix
Deceiver on Netflix
Labels:
Chris Penn,
dark,
drama,
Ellen Burstyn,
ftrq,
netflix,
Renée Zellweger,
suspenseful,
Tim Roth
Tuesday, November 16, 2010
Mr. Nobody
Jared Leto is outstanding in this majestic, gorgeously shot non-linear film about the nature of time & choices. 4/5
Labels:
cerebral,
dark,
drama,
ftrq,
jaco van dormael,
jared leto,
netflix,
non-linear,
romantic,
science fiction
Monday, November 15, 2010
The Boys Are Back
Clive Owen is sheer brilliance in this bittersweet drama about family, loss & love. Well balanced & sweet. 3.5/5
The Boys Are Back on Netflix
The Boys Are Back on Netflix
Labels:
clive owen,
drama,
emotional,
ftrq,
netflix,
sentimental,
tearjerker
Saturday, November 13, 2010
The Killer Inside Me
Casey Affleck gives the performance of his life in this stylish noir thriller. Very well done. 3.5/5
The Killer Inside Me on Netflix
The Killer Inside Me on Netflix
Labels:
casey affleck,
dark,
ftrq,
jessica alba,
kate hudson,
netflix,
noir,
thriller,
violent
Friday, November 12, 2010
The Wild and Wonderful Whites of West Virginia
Well, if this isn't the most dysfunctional family ever I don't know who is! Dayum! 3/5
The Wild and Wonderful Whites of West Virginia on Netflix
The Wild and Wonderful Whites of West Virginia on Netflix
Thursday, November 11, 2010
RocknRolla
Ritchie can't write for shit but he's got good ideas. Good cast, bad narration, messy script, great style. 3-ish stars.
RocknRolla at Netflix
RocknRolla at Netflix
Mercy
Scott Caan writes, produces & stars in this quietly poignant & beautiful romance that unfolds like a lotus. A true gem 4.5/5
Wednesday, November 10, 2010
Antichrist
This is one of the most atrocious films I've ever seen. It's so beyond bad I can't even give it 1 star. Just awful. 0/5
Antichrist on Netflix
Antichrist on Netflix
Labels:
cerebral,
Charlotte Gainsbourg,
dark,
drama,
ftrq,
lars von trier,
mind-bending,
netflix,
violent,
Willem Dafoe
Tuesday, November 9, 2010
Croupier
This gritty suspense thriller was neither gritty nor thrilling but it did keep me guessing until the very end. 3/5
Croupier on Netflix
Croupier on Netflix
Labels:
cerebral,
clive owen,
dark,
ftrq,
gritty,
netflix,
suspenseful,
thriller
Monday, November 8, 2010
The Beautiful Country
Damien Nguyen & Bai Ling are extraordinary in this emotional story about the lost children of Vietnam. 4/5
The Beautiful Country on Netflix
The Beautiful Country on Netflix
Sunday, November 7, 2010
Chopper
Eric Bana is inspired, but the rest of this film is uneven & unpolished with some really sloppy writing. 2.5/5
Chopper on Netflix
Chopper on Netflix
Saturday, November 6, 2010
Dancing at Lughnasa
This was an acting powerhouse but somehow it never captured or held my attention, don't know why. 3/5
Dancing at Lughnasa on Netflix
Dancing at Lughnasa on Netflix
Friday, November 5, 2010
The Greatest
A saccharine pile of crap I've seen done better a dozen time. I really expected more from these actors. 2/5
The Greatest on Netflix
The Greatest on Netflix
Labels:
drama,
emotional,
ftrq,
netflix,
pierce brosnan,
susan sarandon
Thursday, November 4, 2010
Quarantine
OK if you never saw [REC], otherwise, meh. Mistake to show camera guy's face. Too much explaining. 3 stars. Jennifer Carpenter's panic attack was epic & good. BUT: The camera guy was a stand-in for us (the viewer). If we meet him, that spell is broken.
Quarantine at Netflix
Quarantine at Netflix
In A Day
This is an utterly charming British rom-com with a cute little twist. I actually really liked this - it's sweet. 3.5/5
In A Day on Netflix
In A Day on Netflix
Wednesday, November 3, 2010
The Matador
This fascinating documentary follows the life of "El Fandi", a champion matador. Provocative & probing. 4.5/5
The Matador on Netflix
The Matador on Netflix
Tuesday, November 2, 2010
Christopher Titus: Love is Evol
Oh, Titus, how I love thee for allowing me to laugh at your misery! This is fucking GENIUS. 5/5
Christopher Titus: Love is Evol on Netflix
Christopher Titus: Love is Evol on Netflix
Monday, November 1, 2010
The Diary of Anne Frank
This British production was just marvelous & featured some amazing acting by the lead. Very moving. 4/5
The Diary of Anne Frank on Netflix
The Diary of Anne Frank on Netflix
Sunday, October 31, 2010
The Road
Pre-review tweet: Watching The Road. I get the metaphor, but JESUS THIS KID IS A PUSSY. Man up, boy it's the end of the god-damned world.
Got it all (by which I meant I understood the metaphors at play). Did not enjoy the kid. Viggo was amazing. Destroyed beauty on display. Guess I need to read the book. 3.5 stars.
Follow-up: The visuals are simply incredible. And this post apocalypse is not the usual "just after the event" version we usually see, or the cartoonish quality of say, Mad Max. This is what the world would be if it ended due to some unknown global cataclysmic event.
The Road at Netflix
Got it all (by which I meant I understood the metaphors at play). Did not enjoy the kid. Viggo was amazing. Destroyed beauty on display. Guess I need to read the book. 3.5 stars.
Follow-up: The visuals are simply incredible. And this post apocalypse is not the usual "just after the event" version we usually see, or the cartoonish quality of say, Mad Max. This is what the world would be if it ended due to some unknown global cataclysmic event.
The Road at Netflix
Saturday, October 30, 2010
Day Watch
Reaction one: Wow. 25 minutes into Day Watch. Not good. Looks frigging awesome, but a bad film that looks great is still bad.
Reaction two: Day Watch is so bad I gave up. Disjointed, fragmented half-ideas with stylistic direction are music videos, not feature-length films.
(I have never abandoned a movie before this one. That's how frigging frustrating it was.)
Day Watch at Netflix
Reaction two: Day Watch is so bad I gave up. Disjointed, fragmented half-ideas with stylistic direction are music videos, not feature-length films.
(I have never abandoned a movie before this one. That's how frigging frustrating it was.)
Day Watch at Netflix
Sunday, October 24, 2010
Mr. Nobody
Can you both love and dislike a movie? A beautiful film in search of a point, and someone to make it. 3-ish stars. Cinematography on Mr. Nobody is unbelievable, by the way. The depth of field was perfectly used. Visual perfection. See it in High Def if you can.
Followup: Okay, 3.5 stars. 3.75 maybe. My problem with this movie probably stems from the massive re-editing that went on. Without giving anything away, there is a thread in the film that basically doesn't exist anymore. It is given severely short shrift and that fact is obvious. It may as well have been completely removed altogether. Not only would that have cleaned up the errant, dangling remnants but it would have allowed a more cohesive movie. Which is a weird thing to say for such a non-linear film.
Jared Leto is unbelievably great though, and people should watch it just for his performance(s). It brings up huge numbers of questions about reality, the multi-verse, identity and more, and it's worth watching.
Mr. Nobody at Netflix
Followup: Okay, 3.5 stars. 3.75 maybe. My problem with this movie probably stems from the massive re-editing that went on. Without giving anything away, there is a thread in the film that basically doesn't exist anymore. It is given severely short shrift and that fact is obvious. It may as well have been completely removed altogether. Not only would that have cleaned up the errant, dangling remnants but it would have allowed a more cohesive movie. Which is a weird thing to say for such a non-linear film.
Jared Leto is unbelievably great though, and people should watch it just for his performance(s). It brings up huge numbers of questions about reality, the multi-verse, identity and more, and it's worth watching.
Mr. Nobody at Netflix
Friday, October 8, 2010
[REC]
Really enjoyed [REC], but then I rarely see a zombie/virus movie I don't like. This was well done though. Good bloody fun. 5 stars.
[REC] at Netflix
[REC] at Netflix
Subscribe to:
Posts (Atom)