A Serbian Film

I couldn't find this very controversial film at Netflix, or on any mainstream platform, but I was able to finally seek it out and watch it. First thing - this isn't a horror film. The things that happen in this film are horrible and deeply disturbing, but this is a drama/thriller, not horror. Second thing - this film is deeply philosophical. I wondered why it was simply called "A Serbian Film", but now, having finally seen it, I see it couldn't be called anything else. It examines the culture of violence in Serbia, and when it became almost incidental to see or be a part of violent acts. It delves deeply into the nature of victimhood, of when you can blame someone for committing violence on others, and when forgiveness can be possible. These moral questions aren't subtle, but straightforwardly asked, and the escalating violence of the movie compels the viewer to decide when what they are seeing is too much, and when they feel they must, in good conscience, look away. I imagine not many viewers make it too the end, which is sad, because the final minutes of this movie are so profound and affecting I was stunned by them. Honestly, even given the horror of what I watched (and, to be clear, this is easily in the top five most disturbing films I've ever seen), there's nothing about this I would have changed. It's brilliant, it truly is. 5/5

A Serbian Film is not available on Netflix

Gerald's Game

I don't remember this book well, but I do remember thinking it was certainly one of King's weaker offerings. When I saw Netflix had made it into a film, I was mystified how it would play on the screen, but I was pleasantly surprised at how good this was. Carla Gugino was mesmerizing in the lead role, and Bruce Greenwood was very solid as Gerald. I thought the way the script dealt with the setting of the film and the action within it was imaginative and extremely well thought-out. I do have to say I felt it came to a resolution far too quickly and easily. I don't remember it being that way in the book, and it was less than satisfying for me. I would have liked to see the tension play out longer, but, nonetheless, I thought this was a very good adaptation. 3.5/5

Gerald's Game on Netflix

Dark Was the Night

So here's the big problem with this movie. It's set in a northern town that sits at the southern end of a great big huge forest. Nearly everyone in this town has livestock, is a hunter, or knows a lot about woods and the creatures in them. So when something large and predatory starts hunting the hunters in the town, you would think these knowledgeable people would make certain very very basic assumptions about what is after them, with one really basic assumption being the key thing. And when I say basic, I mean a really BASIC thing any child would know about animals. The entire end of the movie banks on the fact that no one in the town ever thought about this REALLY BASIC thing. The "twist" of this film requires both the viewer and all the characters in this movie to be idiots and never think of this extraordinarily basic thing which I figured out about half way through. I swear I got hoarse yelling at the TV about what idiots everyone in this movie was. This is a shame because this movie has some great acting and beautiful cinematography, but, I'm sorry, that gaping plot hole was just a bit much for me. 3/5

Dark Was the Night on Netflix

Woodshock

This first film from Kate and  Laura Mulleavy is one of the most ambitious directorial debuts I've even seen. These women held nothing back and created a unique and visually stunning film that was utterly gorgeous. I've seen seasoned directors fail miserably trying to create half the atmosphere and photographic excellence that this film had. As far as the visuals go, I can't say a single thing against it. It's in the script where this film falls down. Much like "A Ghost Story", another recent visually stunning release, this film tries to accomplish much without dialogue or direct pieces of information upon which the viewer can understand the world. However, where "A Ghost Story" succeeded brilliantly, this film falters by leaving far too much unsaid. Without any kind of grasp as to the nature and gravity of the actions taken in this film, I couldn't relate to or connect with the characters. The denouement of this film was shocking, but I suspect, had I really understood the gravity of previous actions, I would have been completely devastated by it. I feel strongly that with a more fleshed out script this could have been an amazing film on every level, and I will be very interested to see what that Mulleavy women do next. 3.5/5

Woodshock on Netflix

The Boy Who Wanted to Be a Bear

First thing - this is NOT a movie for children. It's very very dark for the most part with a lot of death in it. However, it's also incredibly lovely and tender with a lot of love in it. The questions this film asks are very profound, and I'm not sure there is a right or wrong response to any of them. The animation is just gorgeous, like constantly flowing watercolors. I loved everything about this. 5/5

The Boy Who Wanted to Be a Bear on Netflix

Mouchette

I have heard it said about the films of Robert Bresson that you'll either love them or hate them. I'd didn't hate this, but I really didn't like it much either. The lack of professional actors was a big problem for me. I really wish directors didn't attempt this so often - looking at you, Werner Herzog - as it so rarely works out. The script was just confusing to me - it wasn't clear why anyone was acting so horribly, and by the end I was starting to get angry about it. I did love the picturesque direction, and some of the shots were really gorgeous. On the whole, though, this really didn't work for me, but I will give Bresson another chance or two. 2.5/5

Mouchette on Netflix

The Poughkeepsie Tapes

I don't know how I've never seen or heard of this film before. I'm frankly not even sure how it got on my queue, but boy, was this a revelation. Super low budget horror, more often than not, goes horridly wrong, because it become hard to suspend disbelief when the acting or the filming is done poorly. However, the Dowdle brothers took a micro budget and made an utterly real and completely believable world that was convincing enough I had to check Google to find out if what I was seeing was real or fiction. It was such a masterful film is every way - I was on the edge of my seat the whole movie trying to guess what was coming. Given the budget and time constraints of filming, it's amazing to me how great this was. I loved it, truly. 5/5

The Poughkeepsie Tapes on Netflix

Beatriz at Dinner

I'm not sure what to make of this film. I have to say at the outset that Salma Hayek was just phenomenal in this, and the rest of the cast turned in gold star performances as well. The direction was quite lovely with some truly beautiful photography. I'm just really stuck on the script. As the film develops, I found it harder and harder to understand what motives were driving the characters, and the ending left me truly baffled. I do freely admit that the point of this script is to force the viewer to question our beliefs about people and their behaviors, but I just felt I needed a bit more to go on to understand and appreciate the ending. I feel like there was some footage left on the cutting room floor that would have gone a long way to making this a more complete vision. As it is, I enjoyed it but felt it could be better. 3/5

Beatriz at Dinner on Netflix

Wake Wood

I feel like this stylish thriller missed the mark a bit. It's waking the same ground as "Pet Cemetery", but with far less emotional impact. The main characters felt very underdeveloped to me. I didn't feel like I knew them well enough to truly connect with them and their struggle. The biggest miss is that we never get to know the daughter before her death, and not having that point of comparison seriously injured the chances of this film having true emotional impact. The acting was understated, but could have used more passion from time to time. The direction was lovely, but I felt there wasn't enough meat for a proper story. This was just okay for me. 3/5

Wake Wood on Netflix

Colossal

Sorry for the long absence, I have been dealing with some bad health issues. But let's get to this film, because I have some things to say. This is not a comedic film, which was what I was expecting. The trailers would have you believe it is, but it is in actuality very, very dark. It starts somewhat dark, gets darker, has a few witty moments, and then dives full-on into some pretty serious stuff. I feel like writer/director Nacho Vigalondo wanted to make something funny with a bit of darkness, which is a combination that works well. But, instead, he made a very dark and disturbing film with some bizarre moments of levity that were definitely out of place, and I found the occasional humor a bit unsettling. Having said all that, the actual meat of the story is quite good. It's daring, interesting, and it's brought to life with knock-out performances from Hathaway and Sudeikis. As the film barrels towards what becomes an inevitable and tragic end, I found myself wishing Vigalondo had just dived in and really dedicated himself to the darkness of this story, because it would have been amazing. Instead, I found myself both wowed and confused, so a mixed bag here for me. 3/5

Colossal on Netflix

Christine

I had remembered a story about a depressed reporter taking drastic action on the air from my childhood, but I really knew nothing about the life of Christine Chubbuck. For me, the ending of this film was easy to spot early in, but I can imagine many being surprised by what occurs. Rebecca Hall gave the performance of a lifetime in this - she was tragic, bold, emotional, restrained, kind, and, often, all of these things at once. The whole of the movie is excellent - there really no flaws to it. Watch it, but be prepared to be jolted by it. 4.5/5

Christine on Netflix

Wakefield

This is one of the more fascinating character studies I've seen in recent history. The character of Howard Wakefield suffers from a particular personality disorder, which he demonstrates throughout the film. But there's something else at work here, something explored in films like "Castaway" and "Into the Wild" (the true story of Christopher McCandless and his death). It is a separation from reality and the social mores by which we live, in order to embrace the lawlessness of being homeless or completely apart from human company. Cranston is utterly sublime at capturing the tension between these opposing personality forces and the destruction this conflict leaves in its wake. It is truly amazing, and I hope Cranston gets an Oscar nod for this. Loved this. 4.5/5

Wakefield on Netflix

The Childhood of a Leader

I don't even know how this film ended up in my queue, but I'm so glad it did, because it just blew me away. This is the actor Brady Corbet's directorial debut, but it felt like the polished hand of Kubrick more than the the first work of a new director. It was lush and beautifully framed throughout in impressive fashion. But I have to talk about the score for this, because that was the real star. The moment the credits started and the overture began, I was captured. The music is bombastic and cacophonous and just perfect in every way. I was utterly entranced by it, so imagine how stunned I was when I saw that it was none other than Scott Walker who composed it. I only recently discovered Walker in a documentary called "Scoot Walker: 30th Century Man" about his life and career, and, when I saw it, I really disliked his work, rather immensely so in fact. Clearly I need to listen again, because this was amazing. This movie won't be for everyone. It's brash and intense and stylistic and nebulous, and I will say I didn't get the very very end at all, which is why I deducted a half star. But I loved it, really. Highly recommended. 4.5/5

The Childhood of a Leader on Netflix

Gardens of the Night

Wow, this movie will punch you right in the gut. It's harrowing and disturbing and extremely difficult to watch. There were some portions I honestly wanted to just turn off they were so dark. Gillian Jacobs was amazing in this and is far more accomplished an actress than I previously thought. There was an odd gap in the story I wish had been filled, but it was a great film nonetheless. If you can handle the darkness of this, I do highly recommend it. 4/5

Gardens of the Night on Netflix

Burning Sands

The more I learn about hazing and the more movies I see depicting it realistically, the less and less I understand it. Why on earth would you ever trust someone as your "brother" who spent a week physically, emotionally, and often sexually torturing you? It floors me. This film did a particularly excellent job of showing the horrors that are Hell Week. The acting was especially strong, as was the tight and controlled direction. I highly recommend this one if you don't mind strong physical violence. 4/5

Burning Sands on Netflix

To the Bone

This may be the best non-documentary about eating disorders I've even seen. The film opens with a content warning, stating that this film was made with the help of people with eating disorders and displayed realistic scenarios that might be disturbing. They were right to put that up, as it was incredibly disturbing to watch big portions of this. What's even more disturbing is that Lily Collins, who played the lead, lost such an alarming amount of weight for this given that she is only a couple of scant years out from her own anorexia recovery. The film certainly does not glamorize anything, and it ends not really with an end, but rather a pause, from where the characters in the film could go anywhere. This was tough to watch, but it was truly excellent. 4.5/5

To the Bone on Netflix

The Hallow

Well, this film just upped the ante on being suspenseful and scary as hell. I did not realize going in how bone-chilling this movie was going to be, but it hooked me fast and the nearly relentless action kept me totally enthralled. The creature effects were some of the best I've seen in years - they were truly outstanding. But it all comes down to the devastating choice the mother must make at the end. It reminded me of the ending of "The Good Son" in a lot of ways, which is a compliment coming from me. I'm glad this got recommended to me, I really enjoyed it. 4/5

The Hallow on Netflix

Rebirth

I have to agree with the as-of-now sole review for this Netflix original film. It was great... right until the very very end. The whole of the concept was great, the acting by Kranz and Goldberg was great, and I thought they had the perfect ending... until the end wasn't actually the finish of the film. I feel like that extra ending had to be tacked on later, it just didn't seem right at all. Do yourself a favor. If you watch this, and your get to what seems to be the obvious end, and then you see something else start and the first of the credits show up, turn it off. You already got the best possible ending. Don't spoil it further with anything else. 3/5

Rebirth on Netflix

The Free World

This gritty drama is a complete gutwrencher. Boyd Holbrook and Elizabeth Moss are at the tops of their games in this. They were both absolutely genuine, down to the smallest little tics that give away chronic trauma. The connection between them was so intense I could almost feel it myself. The story is sparingly told, which was the right call in my book. I didn't want to know much more - it was far better to let me paint the details in my head. The direction was beautiful as well. This was a total home run on all fronts. Loved this. 4.5/5

The Free World on Netflix

Time Lapse

It's so rare when a sci-fi time-travel movie gets it right, and this film gets it SO SO SO right. The script is very tight, original, and detail-oriented. The direction was simple and yet extremely effective. One of the three leads was truly great, another on their way to great, and the last solid and good. This film kept me on my toes - I spent the film trying to guess what was next and delightfully failing every time. I greatly enjoyed this. 4/5

Time Lapse on Netflix