I have no idea how this oddball, no budget, shot on video, arthouse, genre-bending film got on my queue, but I'm glad it did, because it was different. There was no money at all here, but oddly I didn't end up minding, even when it was important. Paul Dano looked all of sixteen or so, but gave a solid performance as per usual. I'm going to think about this for a bit. 3/5
Light and the Sufferer on Netflix
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